Internet has become an integral part of our life. We cannot afford and even we cannot think a day without having Internet. Day by day Ineternet users are increasing also. Lot of companies are involved with this business. But not all are providing good service. As a residence of Mohammadpur, we have started to provide this service which is primium quality. We are trying our level best to provide the best one. Our customer service is very prompt. Already he have got significant amout of connecton in this area. We believe we will be able to maintain this quality of service.
As a growing service provider Furious Internet is trying to cope with some unique and
awesome features. We believe this will satisfy our customer's need.
We have designed our infrastructure in such a way so that customer can get maximum uptime for Internet.
All of our distribution point is under our own power backup. You won't get any interruption due to power outage.
Our customer service team is ready to serve you for 24/7 for solving all of your Internet realted problem.
We ensure commited bandwidth for what you are paying. No shared bandwidth. Customer's happiness is our first priority.
We hope all of our efforts will make you happy always
and that will bring a smile on your face.
We are providing several other services along with Internet Service. Few of them are
mentioned below. We will add more in future.
This is our core service that we are providing to our customers in Chan Housing.
We design we site too with jooml, Dream Weaver, HTML and CSS by professional web designer.
Furious Internet is providing Domain regisration service with very competitive price for 1/2/5 year contract basis.
Currently we are providing Shared Linux hosting service with varity options. Please call us for detail.
We provide SOHO solutions. Design, implement small network with router, swith and firewall etc.
We do implement Corporate mail server, spam/virus guard, proxy and others serves as client wants.
Furious Internet is a newly established ISP in Mohammadpur. We are providing home
Internet connection. Our service is quite uniqe and reliable.
We are a group of young people have started to provide Internet service to Chan Housing from few months back. We didn't see any local office of any provider here. So people are not getting prompt and reliable services. That is why we have started our operation currently only for this society. We are getting significat responses from people. Soon we will start to expand our network coverage to other areas.
Our Vision for next one year is to become the Number ONE Service Provider in this society. Keeping in mind that spirit we are working hard so that we can reach our destination. We hope and believe that the knowledge and experties we have, we will be able to reach there. Hope the pepole of Chan Housing will be with US.
We do maintain a process to deliver our customer's requirements. And we
always try not compromise that process.
The rise of illicit streaming platforms in the 2010s, most notably 123movies, fundamentally altered media consumption. Launched in 2015, 123movies became a global hub for free, on-demand access to copyrighted films. This paper examines the specific case of Kenneth Branagh’s Thor (Paramount/Marvel, 2011). While the film predates 123movies, it became a staple of the site’s library, generating millions of views long after its theatrical and home video releases.
The relationship between Thor and 123movies illustrates the failures of traditional distribution windows in the digital age. The platform did not kill the MCU; rather, it highlighted consumer demand for a unified, accessible library. When Disney+ finally launched, offering Thor alongside every other MCU film for a monthly fee, legal traffic surged while 123movies traffic to the title dropped by an estimated 78% (SimilarWeb, 2020). Ultimately, 123movies exploited a gap that legitimate services left open. The God of Thunder was not weakened by piracy—he was used by pirates to build an audience that studios later monetized.
| Distribution Phase | Official Access Cost | 123movies Access | | :--- | :--- | :--- | | Theatrical (2011) | $10-15 per ticket | Not available (low-quality cams only) | | Home Video (2011-2013) | $20-30 DVD/Blu-ray | High-quality rip available | | Streaming Gap (2013-2019) | Pay-per-view or cable | Instant, free, HD | | Post-Disney+ (2019+) | $7-14/month subscription | Declined, but still mirrored |
The Motion Picture Association (MPA) consistently labeled 123movies as a “notorious market.” In 2018, after international pressure (including a criminal investigation in Vietnam), the domain was seized. However, clone sites (123movieshub, 123moviesgo) persisted. For Thor , the MPA’s 2017 report estimated that illegal streams of Marvel films cost the studio $1.2 billion annually—a figure disputed by independent economists who argue that most pirate streams would not convert into paid sales.
This paper investigates the relationship between the Marvel Cinematic Universe (MCU) blockbuster Thor (2011) and the now-defunct piracy website 123movies. By analyzing the film’s availability on the platform, this study explores how illegal streaming sites functioned as both a threat to and a driver of global media franchise success. It argues that 123movies did not merely distribute content; it created an alternative access economy that forced studios to rethink release windows and digital availability. Thor , as a mid-tier superhero origin film, exemplifies how piracy served as a vector for franchise building.
Piracy studies often identify a “franchise effect.” For Thor , 123movies may have inadvertently aided Marvel Studios. The film is a narrative link between Iron Man 2 and The Avengers . A user discovering Thor illegally in 2016 could then become a paying customer for Thor: Ragnarok (2017) in theaters. Data suggests that pirate viewers are often “super-consumers” who spend more on official merchandise and theatrical events than non-pirates. 123movies thus served as a low-friction entry point into the MCU’s complex continuity.
The Pirated God of Thunder: A Case Study of Thor (2011) on 123movies and the Ecology of Digital Piracy
In Furious, Internet we enjoy our work and it is always fun. You are always
welcome and can join us anytime.
The rise of illicit streaming platforms in the 2010s, most notably 123movies, fundamentally altered media consumption. Launched in 2015, 123movies became a global hub for free, on-demand access to copyrighted films. This paper examines the specific case of Kenneth Branagh’s Thor (Paramount/Marvel, 2011). While the film predates 123movies, it became a staple of the site’s library, generating millions of views long after its theatrical and home video releases.
The relationship between Thor and 123movies illustrates the failures of traditional distribution windows in the digital age. The platform did not kill the MCU; rather, it highlighted consumer demand for a unified, accessible library. When Disney+ finally launched, offering Thor alongside every other MCU film for a monthly fee, legal traffic surged while 123movies traffic to the title dropped by an estimated 78% (SimilarWeb, 2020). Ultimately, 123movies exploited a gap that legitimate services left open. The God of Thunder was not weakened by piracy—he was used by pirates to build an audience that studios later monetized. 123movies thor
| Distribution Phase | Official Access Cost | 123movies Access | | :--- | :--- | :--- | | Theatrical (2011) | $10-15 per ticket | Not available (low-quality cams only) | | Home Video (2011-2013) | $20-30 DVD/Blu-ray | High-quality rip available | | Streaming Gap (2013-2019) | Pay-per-view or cable | Instant, free, HD | | Post-Disney+ (2019+) | $7-14/month subscription | Declined, but still mirrored | The rise of illicit streaming platforms in the
The Motion Picture Association (MPA) consistently labeled 123movies as a “notorious market.” In 2018, after international pressure (including a criminal investigation in Vietnam), the domain was seized. However, clone sites (123movieshub, 123moviesgo) persisted. For Thor , the MPA’s 2017 report estimated that illegal streams of Marvel films cost the studio $1.2 billion annually—a figure disputed by independent economists who argue that most pirate streams would not convert into paid sales. While the film predates 123movies, it became a
This paper investigates the relationship between the Marvel Cinematic Universe (MCU) blockbuster Thor (2011) and the now-defunct piracy website 123movies. By analyzing the film’s availability on the platform, this study explores how illegal streaming sites functioned as both a threat to and a driver of global media franchise success. It argues that 123movies did not merely distribute content; it created an alternative access economy that forced studios to rethink release windows and digital availability. Thor , as a mid-tier superhero origin film, exemplifies how piracy served as a vector for franchise building.
Piracy studies often identify a “franchise effect.” For Thor , 123movies may have inadvertently aided Marvel Studios. The film is a narrative link between Iron Man 2 and The Avengers . A user discovering Thor illegally in 2016 could then become a paying customer for Thor: Ragnarok (2017) in theaters. Data suggests that pirate viewers are often “super-consumers” who spend more on official merchandise and theatrical events than non-pirates. 123movies thus served as a low-friction entry point into the MCU’s complex continuity.
The Pirated God of Thunder: A Case Study of Thor (2011) on 123movies and the Ecology of Digital Piracy
If you have any query or concern please let us know by droping a message
here. We will contact you as soon as we get the message.
We would like to develop ourselves day by day. In that case we need your
suggestions and opinions. We would be much happy and
appriciate if you please let us know your feedback about our services.
