NSNA

The NAGARATHAR SANGAM OF NORTH AMERICA ("NSNA") is a non-profit, charitable, non-political, tax-exempt community-based organization that was founded in 1976 to foster cohesive understanding and cooperation between Nagarathars in North America.

Vision

To preserve and protect the rich heritage and culture of Nattukottai Nagarathars while fostering their growth, and enhance the quality of life for all Nagarathars.

Objective

The main objectives of this organization are to:

  • Preserve and Protect Nattukottai Nagarathar Heritage & Culture for future generations.
  • Create platforms for Nattukottai Nagarathars to connect with professionals, industry leaders and entrepreneurs for mentorship and career guidance.
  • Foster a strong appreciation for our culture among the younger generation and encourage them to embrace and follow our traditions and participate in community activities.
  • Bring together NSNA - fair platform for all views while maintaining decorum. Establishing a process for consensus decision making.
  • Improve membership of community in NSNA and encourage participation from all quarters
  • Sustain current NSNA programs for charitable support and possibly try to increase support for Marriage, Education, Health & Humanitarian, Religion both in India and in the US.
  • Encourage activities and programs to foster the health, physical and mental well-being of our community.
  • Work closely with Youth Committee, encourage the learning and use of the Nagarathar language among younger generations to preserve linguistic heritage.
  • Embrace the skills, diverse talents, resources and knowledge of the community and together cultivate a thriving and inclusive region that shines brightly on the local, national, and global stage.
  • Conduct retreat in a fashion to highlight the talent and capabilities of Atlanta as a host region
  • Strive to maintain and or improve the resource balance in NSNA accounts during our term

Since its inception the organization has been able to uphold its objectives through its wide spectrum of activities. New initiatives recognize the long-standing generational growth of the Nagarathar community and serves to foster cross-cultural appreciation and understanding with other communities and organizations with similar objectives in North America.

Contributions to NSNA are exempt from United States federal income tax under Section 501 (C) (3) of the Internal Revenue Code of 1954.

How can you help
  • filmas trys metrai virs dangaus
    Become a NSNA Member
    Join in our noble mission and efforts to extend a helping hand to our Nattukottai Nagarathar Community
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    Donate to NSNA
    Donate to NSNA
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    Member Login
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    History of NSNA
    NSNA Origin
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Muthayyah Srinivasan Dear Fellow Nagarathars

I extend my heartfelt gratitude to the dedicated leadership of NSNA over the years, which has allowed our organization to flourish since its humble beginnings in 1976. As we approach the golden jubilee celebrations of NSNA, Atlanta takes great pride in being entrusted with administering the NSNA Executive Committee for the 2025-2026 term. I am truly honored to lead this talented team during this important milestone and look forward to serving our beloved community.

Ways To Get Help
Nagarathar Culture and Heritage

The Nagarathars are a Chettiar community that originated in Kaveripoompattinam under the Chola kingdom of India. They are a prominent mercantile caste in Tamil Nadu, South India. Nagarathar business people are Hindus, predominantly originating in the Chettinad region of Tamilnadu. They have been trading with Southeast Asia since the heyday of the Chola empire, but in the 19th Century they migrated to countries throughout Southeast Asia. Nagarathars, also known as Nattukkottai Chettiars, were an important trading class of 19th and 20th century South East Asia and spread to Sri Lanka, Myanmar, Malayasia, Singapore, Java, Sumatra, and Ho Chi Minh City.

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செட்டிநாடும் சாமான்களும்

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Filmas Trys Metrai Virs Dangaus ❲480p❳

Trys metrai virš dangaus is not a bad film so much as an unnecessary one. It is a dutiful, technically adequate translation of a foreign hit that has already aged poorly. For Lithuanian audiences who grew up reading Moccia’s books or who want to see local actors in a glossy production, there is a certain nostalgic comfort to be found. But for anyone looking for a fresh, thoughtful take on young love, reckless behavior, and class divide, this film offers nothing new.

At nearly two hours, the film drags. The middle section is a repetitive loop: they fight, they make up, they ride the motorbike, someone gets jealous, repeat. The supporting characters are cardboard cutouts—the jealous rich ex-boyfriend (Rokas) has no depth, Gabrielė’s mother is a one-note villain, and Stepas’s street crew are indistinguishable from any other generic movie gang.

Here is the core problem: Trys metrai virš dangaus is a scene-for-scene remake. If you have seen the Italian original or the Spanish version ( Tres metros sobre el cielo ), you already know every beat, every fight, every kiss, and every heartbreak. The film takes no risks. The dialogue is often stiff, translating Moccia’s melodramatic lines into Lithuanian without any natural flow. Teenagers in Vilnius do not talk like that.

filmas trys metrai virs dangaus