The ume blossoms had begun. Before the cherry blossoms, before any other green thing, the plums burst forth—small, defiant, pale pink against a sky the color of iron. They looked like wounds, or hope. Kenji knelt in the slush and shot frame after frame.

On the last day of February, his aunt placed a bowl of sekihan —sweet rice with red beans—on the kotatsu . “For good luck,” she said. “Winter is breaking its back.”

They drove two hours into the mountains. By the time they reached the ski slope, a blizzard had swallowed the world. Kenji’s camera felt like a block of ice in his gloved hands. He stumbled off the ropeway into a lunar landscape: hundreds of trees, each one encased in a monstrous shell of wind-driven snow and ice. The Juhyo —"ice monsters"—stood twelve feet tall, hulking and faceless, their frozen limbs reaching toward a moon that was nothing but a smudge of milk.