The women watch. Then they burst into laughter. It’s not a happy ending. It’s a starting ending. They order coffee. They clean the apartment. Candela asks if anyone wants to go see a movie.
This is not just heartbreak. Pepa has given up roles, friends, and even a chance to move to Paris for Iván. And now, he’s vanished. She has one lead: a cryptic message on his office answering machine from a woman named Lucía, who mentions a suitcase and a flight to Stockholm. Pepa’s quest to find Iván quickly becomes a magnet for other unraveling women.
“You’re a ghost,” she says. “You don’t love women. You love the beginning of women. And I’m tired of being a prologue.”
